Botija 
Workshop Gestalt und Ästhetik
University of the Arts Bremen 2012


This project aimed to clarify the importance of the context and historical brackground for the aesthetic or beauty of a design. 
Starting point was a personal object that was first illustrated with the stencil technique for screenprints in black and white. The colour and type (text) was added after creating a story about the object that combined facts and subjective experiences (based on a question list*). This approach shows the relation between the objectivity and subjectivity of aesthetic values.

*Ingredients, list from the contemporary artist Tom Friedman

DRM: Concept; Design; Screenprinting; Exhibition
Conducted by Prof. Andrea Rauschenbusch














Botija de água quente




It keeps me trapped, peaceful and cuddly. It's 
warm. A prickly feeling on my feet and I am floating around 
like a rudderless and drifting ship. I hear the sloshing and gurgling of the water and the warmth enveloped me. It touched me gently, and I press it 
firmly against me. A soothing glow that flows away all my worries and pain. The heat evaporates.

Standstill.

Like a shock, a stinging smell of rubber rings me to the ground and a biting coldness penetrates my body. Cold. So cold. Too cold. The trip is over like waking up from a dream. Now it only lies there without any motion. Rough, dull gum, yellowish-white like dead ivory. Occupied pale, dull with a thin layer of dust.
A flat, 
sturdy thing, easy to fold and press. 
Like a filled balloon, the air has escaped. One 
of many. 167 mm neck, embossed. Germany, 
TÜV-tested, batch number GTP 6162.